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Inside Valerie’s Studio

Continuing the story of Preston Dirges and Valerie Valencourt, we follow Valerie back to her studio apartment after her first day at work…

INT. VALERIE’S STUDIO – NIGHT

Valerie enters her studio flat, flicking the light switch. The bulb’s filament burns out. A phone rings by a window. Valerie scuttles in darkness, banging her knee against furniture. Silhouetted by the light from a street lamp, she answers the phone and rubs her knee.

VALERIE: Hello mum.

VALERIE’S MUM: How did you know it was me? It might have been a boyfriend.

VALERIE: Be serious, mum. Only you would call the moment I got home from work. And I haven’t got a boyfriend. (beat) At the moment.

VALERIE’S MUM: Did you only just get home? Are they keeping you late on your first day?

VALERIE: No, my train was delayed.

VALERIE’S MUM: Well? Tell me all about it. How was it?

VALERIE: Strange. I feel like I’ve just had my first day at a new school. (childish voice) Please don’t make me go back tomorrow!

VALERIE’S MUM: Don’t be silly dear. You know you have to go back tomorrow.

VALERIE: I’m only joking, mum. I didn’t have the best of starts, that’s all.

VALERIE’S MUM: So what’s your new boss like?

VALERIE: In a word, indescribable.

Nothoughts for Now

For a little while,
Halfthoughts is on holiday,
Which means you will find
There is no thought for today.
Though perhaps, you might quip,
None were evident anyway.

Tis rare when I completely forget
To write a new weekly post,
Though to claim ‘never’
Would be an inaccurate boast.
Which leads me to wonder
Who would miss Halfthoughts most.

This week I had some material
Which I could have shared.
It was more Preston Dirges,
Which I have pre-prepared,
But it is most unclear
Exactly who would have cared.

It is a misnomer to say that
People browse the internet.
It would be more telling
To say we graze it instead.
We consume what looks tasty
Until we feel fully fed.

Tis unlikely that many
Have Halfthoughts in mind,
When googling their search terms,
Of most peculiar kind,
But when they follow the link,
This site they somehow will find.

Here there are skits
Of a nature comedic,
And serious essays
About the body politic,
And even some musings
Regarding matters artistic.

Just go have a look,
If you do not believe me.
The content is too varied,
To permit any taxonomy.
Just dive in head-first
And then you will see.

Instead of demanding
I write something new,
Rummaging through the archive
Will just have to do,
Because I fully intend
To take next week off too.

Halfthoughts is on holiday until May 6th

Preston Dirges and the Lust for Audit

Montage: INT. DESERTED OFFICE FLOOR – DAY

Preston walks, flanked by Valerie and Gordon. Music starts: “Lust for Life” by Iggy Pop.

Thimbleby looks up from the files, finishes the last bite of his sandwich, and brushes the crumbs off his suit jacket.

The camera zooms into Preston’s eyes, then Thimbleby’s eyes, then Valerie’s eyes, then Gordon’s eyes, one of which he rubs with a finger.

Thimbleby pulls out a blank audit checklist. He clicks the end of his pen.

Gordon draws diagrams and equations on the whiteboard and explains them to Thimbleby.

Valerie tries to lift a box of lever arch files, but cannot.

Ticks are placed in the boxes of a checklist.

Thimbleby removes his spectacles, breathes on them, and wipes them clean.

Valerie wipes beads of perspiration from her forehead.

Gordon draws more diagrams and equations on the whiteboard.

Thimbleby puts his spectacles back on, then perches them on the end of his nose, looking over them and practising a hard stare. Then he pushes them back up the bridge of his nose.

Sweat trickles down Gordon’s forehead.

Valerie uses a calculator.

Thimbleby takes off his spectacles with a dramatic sweeping gesture. He puts one arm in his mouth, and bites on it.

Valerie tries to lift the box of files again. She gives up and crouches down to push the box along the floor.

Gordon steps from the whiteboard and flops into a chair that Valerie has pulled over for him. Preston puts a white towel around Gordon’s neck and rubs his shoulders. Valerie holds a wastepaper bin; Gordon spits into it. Preston slaps Gordon on the shoulders. Gordon stands up, stretches his neck from side to side, then returns to the whiteboard.

Preston holds 5 invoices, fanned out and face down. Thimbleby picks one, like picking a card. He holds it in two hands, and shows it to everyone.

Valerie sits on the ground with her back to the box of files. She pushes it along whilst shuffling her bottom.

Preston joins Gordon and adds to the whiteboard diagram.

Crosses are placed in the boxes of a checklist.

Sweat pours down Preston’s face.

Valerie completes her calculator sums. She turns around the calculator, revealing the word ‘boobless’ on the display, to the hilarity of everyone but Thimbleby.

Preston staples a thick pile of papers. The staple does not go in properly; he pulls it out and tries again. This happens a second time. Preston grips the papers and forces the staple through. When he tries to put the papers down, they are stapled to his finger.

Valerie is on all fours, trying to push the box of files with her head. Gordon and Preston pick up several files from within the box, then pick up Valerie too.

Thimbleby sweats profusely, mopping it with a handkerchief. Then he rings out the handkerchief.

Valerie joins Gordon and Preston at the whiteboard, turning the diagrams into the picture of a smiling face.

A cross is placed in the final box in the checklist.

Thimbleby shuts his audit file, with the sound of a coffin lid closing. He walks away, leaving the others shellshocked.

Music fades. Words flash: “89 audit points and out”.

Valerie lies on the desk, exhausted. Gordon sits with his head on the table, depressed. Preston wipes the whiteboard.

VALERIE: 89 audit points.

PRESTON: That’s good. I was expecting 100.

GORDON: Nearly half of them are for me.

PRESTON: Take it as a compliment. It means you work hard. The less you do, the less there is to audit.

VALERIE: Gordon, be wary of Preston’s compliments. Can I go home now?

PRESTON: Don’t miss your train.

Valerie jumps up and walks out.

GORDON: Preston, you said you wanted me to help with one quick question.

PRESTON: There was one quick question. And an awful lot of slow ones.

Preston Dirges and the Lunchtime of the Soul

Int. Office Canteen – Day

Gordon and Tina sit at a table, facing each other and chatting as they eat. Preston leads Valerie across the canteen to join them, carrying their trays of food. Preston sits alongside Tina, across from Valerie. Valerie sits alongside Gordon, across from Preston. The conversation criss-crosses between the four of them.

PRESTON: (to Gordon) Gordon, you’re going to have to come up and answer a quick audit question.

GORDON: (to Preston) I don’t think I will. Last time I was asked a quick audit question, it took a week to answer it.

TINA: (to Valerie) Hello. My name is Tina and this is Gordon.

VALERIE: Pleased to meet you. I’m Valerie.

GORDON: (to Valerie) Sorry, hello, I’m Gordon.

PRESTON: (to Valerie) Yes, Valerie, this is Tina and Gordon.

VALERIE: I think we’ve established that.

PRESTON: This is Valerie’s first day. She’s a graduate developee.

GORDON: (to Valerie) Are you working with Preston?

PRESTON: It’s strictly temporary.

VALERIE: That’s right. Temporary. I should be in Marketing.

PRESTON: Valerie studied marketing.

TINA: Gordon wants to be in Marketing too.

GORDON: Yes I do. That’s where they make the big bucks.

PRESTON: (to Gordon) You want to work in Marketing? Why would you want to work in Marketing?

Tina glares at Preston. Preston turns toward Valerie.

PRESTON: (to Valerie) Not that there’s anything wrong with Marketing. Per se.

GORDON: I want a promotion, and more money.

PRESTON: You’re so materialistic, Gordon.

TINA: Yeah, Gordon.

GORDON: I don’t want to keep living in a flat with three blokes who always smell of beer, cigarettes and rugby socks.

PRESTON: Then move in with a woman. Women usually don’t smell of rugby socks. Unless they’re cheating on you with a rugby player.

TINA: (to Valerie) You’ll like working with Preston. He’s funny.

GORDON: (to Preston) Some women play rugby.

VALERIE: (to Tina) Yes. Funny. I can’t argue with that.

PRESTON: (to Gordon) But you wouldn’t want to go out with a woman rugby player.

TINA: (to Valerie) I mean, you’ll learn a lot from Preston. He’s very insightful.

GORDON: (to Preston) You’ve obviously not seen some of my ex’s. I may not want to go out with a rugby playing woman, but I might have to. Or risk getting beaten up.

VALERIE: (to Tina) Compliance Certification just isn’t my kind of thing. I studied art.

PRESTON: Certification Compliance.

GORDON: (to Preston) Anyway, I don’t even have a girlfriend right now. My girlfriend in South Africa dumped me.

TINA: (to Valerie) I thought you studied marketing?

PRESTON: (to Gordon) I can’t see how that makes a difference, really. She must have been around six thousand miles away.

Gordon vigorously nods his agreement.

VALERIE: (to Tina) I studied marketing and fine arts, joint honours.

PRESTON: (to Gordon) Enjoy your freedom, Gordon. Then get married to a hard-working woman with a proper job who’ll pay her share of the mortgage.

TINA: (to Valerie) That’s an interesting combination.

GORDON: (to Preston) I intend to enjoy my freedom, (whispers) each and every night if I can. (normal voice) But it would help if I had a decent place to take the girls back to.

TINA: (to Gordon) Gordon! Don’t talk like that!

GORDON: I didn’t know you were listening to our conversation. If I’d known you were listening, I wouldn’t have talked like that.

TINA: Women can talk and listen at the same time.

PRESTON: Which must be a very efficient time-saver. The best I can do is talking and ignoring people at the same time. Sometimes I don’t even attempt to talk, and I just concentrate all my efforts on ignoring people.

VALERIE: Women are born multi-taskers. It’s very efficient to listen whilst you’re talking.

GORDON: It’s like a superpower. A feminine superpower.

VALERIE: I suppose you could describe it like that.

PRESTON: Don’t encourage Gordon. He reads too many comics.

GORDON: But it’s not good to have superpowers in real life. People with superpowers would always be evil, in real life.

PRESTON: And he thinks about them. Too much.

VALERIE: Erm…

TINA: What Gordon means is that some of the motivation for characters in comic books wouldn’t make any sense in real life.

PRESTON: And you shouldn’t encourage him either.

TINA: I like reading comics too. I’ve got too many brothers not to.

VALERIE: But superheroes don’t exist in real life.

GORDON: Quite. But if superheroes existed in real life, they’d all be supervillians.

VALERIE: Why?

TINA: Because power corrupts.

GORDON: And absolute power corrupts absolutely. Think about it. Spiderman is Peter Parker during the day: a freelance photographer. Pfff… that makes no sense. He make a pittance and struggles to pay the rent. Temptation would be too great – he’d be a great catburglar instead.

PRESTON: Spider-cat-burglar.

GORDON: Exactly. And Clark Kent is supposedly an ordinary reporter during the day, living in a meagre apartment and driving a crappy car. But he’s Superman. Why would he settle for so little? He can fly. Why would he pay car tax? Could you imagine him waiting in line at airport security? Or letting some scumbag from Goldman Sachs push ahead at the taxi rank? That wouldn’t make any sense at all.

TINA: And Batman. He can beat anyone up, but during the day he’s just an ordinary… (beat) multi-billionaire… (beat) playboy…

GORDON: Batman doesn’t count. He’s not got any real superpowers. He’d be corrupt because he’s so filthy rich. Which I suppose is the point with Batman. He’s so corrupt that he gets his kicks from being an untouchable thrill-seeking vigilante, beating the life out of criminals whilst wearing a kinky suit, and protected by Commissioner Gordon.

PRESTON: So in conclusion, Gordon, power corrupts. And women shouldn’t listen to you, when you talk out loud. Nor men.

GORDON: You were correct on the first point. However, the rest was baffling nonsense.

PRESTON: Good, because I’m paid for my baffling nonsense. Now you’re coming with me to baffle my auditor. And Valerie knows not to listen to a word whilst you do.

Commencing the Audit of Preston Dirges

Int. Deserted Office Floor – Day

THIMBLEBY (O.S.): Preston?

Thimbleby is round the corner from the meeting cubicles, sat at a small round table in front of Preston’s desk. He keeps drumming his fingers on a lever arch file, laying open in front of him.

PRESTON: Ah – you found the file I left for you.

Preston pulls the chair from behind his desk up to the table, and places it next to Thimbleby. There are no other chairs.

VALERIE: Where do I sit?

PRESTON: You’ll have to use your initiative.

Valerie sits on the edge of Preston’s desk, looking over his shoulder.

PRESTON: Do you have to sit there?

Valerie looks around. There is nowhere else to sit. She looks at the brain in the fishbowl, sitting next to her, and reaches toward it, as if to move it and make room.

PRESTON: No, don’t touch that.

Preston leaps up and grabs the fishbowl away from Valerie, placing it well out of Valerie’s reach.

VALERIE: What is it, is it a…

THIMBLEBY: Preston! Can we please start now?

PRESTON: Yes, we may.

Preston sits back down again, but Valerie is once again looking over his shoulder. Thimbleby is about to speak, but Preston interrupts before he can start.

PRESTON: (to Thimbleby) May we swap places?

THIMBLEBY: No.

PRESTON: Okay.

Preston shuffles his chair around the round table, away from Thimbleby.

THIMBLEBY: Can we begin?

Preston holds his hand up. He shuffles his chair further around the table.

THIMBLEBY: Preston?

Preston shuffles his chair further around the round table.

THIMBLEBY: Hmmmm.

Preston holds his hand up again, then shuffles his chair the rest of the way around the table, until he is sitting alongside Thimbleby, on the opposite side from which he started. Preston crowds so close to Thimbleby that Thimbleby moves his chair to make some room. They have now reversed their starting positions. Valerie is now looking over Thimbleby’s shoulder.

THIMBLEBY: Ready?

PRESTON: Ready. (to Valerie) Ready?

VALERIE: Ready.

PRESTON: Let the auditing commence.

THIMBLEBY: I’ve been going through your files.

PRESTON: Indeed.

THIMBLEBY: And I’ve already noted some anomalies.

PRESTON: Have you?

THIMBLEBY: Which I wanted to ask you about.

PRESTON: Then ask away.

THIMBLEBY: On page 17 of this test report, I see that the error rate of your internal test regime is more than 100 times too high.

PRESTON: Ah, well you know why that is, don’t you? It’s because we did 100 times too many tests. Let me see who wrote that report.

Preston examines the report with mock seriousness.

PRESTON: Now I understand. This report wasn’t done by our test team. It was compiled by our Business Intelligence team, by aggregating all the results from our test team. We’ll need to speak to the report author to understand what’s gone wrong.

Preston walks around to his desk and makes a call. He puts the call on speaker.

GORDON (V.O.): Hello?

PRESTON: Hi Gordon, it’s Preston. I’m here with our auditor and with…

VALERIE: Valerie.

PRESTON: Valerie, who’s new. Anyway, the auditor has some questions about the intelligence report you did, summarizing our test results. Are you free to talk about it?

GORDON (V.O.): I’ve just sat down to lunch.

PRESTON: Is it lunchtime already? So it is. Well that’s perfect. We’ll all come down and join you. See you in a minute.

Preston hangs up.

THIMBLEBY: I brought sandwiches.

PRESTON: You did? Oh, that’s a shame. But it is lunchtime, so let’s take a break now. Valerie and I will go down to the canteen, ask Gordon your questions, and come back prepared to give you the answers. (to Valerie) Valerie?

Preston briskly walks off, with Valerie rushing to catch up. Thimbleby sits in silence at the table, one hand resting on the lever arch file, the other scratching his head. He then realizes his mistake, but Preston and Valerie have already exited to the stairwell at the far side of the floor.

THIMBLEBY: But I haven’t told you what I wanted to know, yet!

An Apology to Barack Obama

Dear Mr. President,

You do not know me, but I feel compelled to write you a personal message. Whilst I realize you probably do not read this website, I understand that blogging is an increasingly effective way of contacting you, as recently demonstrated by Bristol Palin. I wish to follow her fine example.

Bristol Palin is a strong and independent woman who is genuinely concerned about the current state of public discourse. So am I, apart from the bit about being a woman. I, like Bristol, have noticed the disturbing rise of left-wing comedians who pollute mainstream American media with their conspiracy to provoke laughter. This is routinely, and viciously, targeted at people who the comedians regard as stupid, such as Bristol Palin, her mom, George W. Bush, and other people associated with the Republican Party. Their so-called comedy often involves spewing hurtful lies, half-truths, and complete-truths under the pretext that the audience will find them hilarious. But beneath the side-splitting guffaws and tears of joy, and well within their skulls, the audience’s minds are being subjected to a form of indoctrination more insidious than that perpetrated by the communists in the 1950’s, and even more effective than that which Jane Fonda received from the Vietcong. I hope that by writing now, I can encourage you to curtail the antics of these terrifyingly amusing propagandists.

Like many Americans, even though I am not an American, I share Bristol Palin’s concerns about the unchecked media power of comedians. Gone are the happy days when comedians would implore listeners to ‘take my wife’, which is unsurprising given the breakdown of traditional family values. Bristol Palin is, after all, quite an expert on the breakdown of family values, speaking with the kind of authority you only get from personal experience of breaking a lot of those values. Because she is a recognized authority, I struggle to understand why anyone would question her integrity, but some left-wing comedians will stoop that low. The verbal assaults of these comedians debase not only Bristol Palin, but all of us, and they have a profound influence on the weak-minded. Take, for example, the fool who thought it would be fun to identify political rivals using a map marked with crosshairs, and then denied any responsibility when one of those rivals was shot. Then, when she received criticism, the jester got mixed-up about the freedom to express righteous outrage, calling it a ‘blood libel‘. Oh, wait, no, it was Brisol’s mom that did that. Sorry about the confusion. Anyway, there are many other examples of comedians lowering the standards for public behaviour. Consider the cult TV personality that keeps on using the absurdist phrase ‘death panel‘ when describing the workings of your healthcare reforms. Oops. Sorry, that was Bristol’s mom again. Anyhow, the leftist fanatics, if they are not silenced, will inevitably set the USA against its allies, like South Korea, by voicing support for enemies, like North Korea. Oh, wait, that was Bristol’s mom again. Never mind.

To be honest, between Stephen Colbert and Herman Cain and Al Franken, I get comedians and politicians muddled, just like Sarah Palin muddling up North and South Korea. Some of these modern comedians are very snide, which makes it hard to tell if they are being serious. I prefer old-fashioned comics who go for the all-out belly laughs. I particularly loved Newt Gingrich’s skit promising a moon colony that will reduce government debt and give rise to a 51st state. It was hilarious! Gingrich reminds me of Jackie Gleason: ‘straight to the moon!’ Oh, no, I got confused again. Gingrich was being serious. Sorry.

The concerns of Bristol Palin are shared by many people who feel you instigated a war on women. From where I stand, which is a long way away, their anger is real, and not just born of a desperate realization that your supposedly woman-friendly policies are popular with most women voters. Indeed, your liberal backers seem to have persuaded you to enter into perpetual war on all fronts, which makes me wonder if you really want to get re-elected. In addition to the war on women, recent accounts suggest you are fighting a war on religion, pursuing a war on liberty, starting a war on whistleblowers and continuing the previous administration’s war on terror. However, you seem to lack sufficient appetite for the necessary ‘war on Iran’. I use inverted commas to highlight how attacking Iran would only be a war in a metaphorical sense, unlike the other wars I referred to. Real wars require two sides, whilst I understand that a war on Iran would only be a one-sided affair. As espoused by some of the leading foreign policy experts in the Republican Party, if you order the destruction of Iran’s nuclear facilities, then Iran will respond by feeling a bit miffed, shaking their fists in a Westerly direction, then shrugging their shoulders and entering a new era of peace and enlightenment. Or something like that. Anyhow, examining your pro-war record, it is clear that the only war you have completely shunned is the war on war itself. Was prosecuting this war not a condition of accepting the Nobel Peace Prize? Several years on, I still await the war on war. If you are not serious about fighting it, then you should return your peace prize and apologize to the Nobel committee.

On the topic of apologies, it is clear that everyone agrees that you should apologize a lot more often, for a lot more things, except for those times when you do apologize but should definitely not have apologized. Iran thinks you should apologize to Iran for letting a hi-tech drone crash on their land so it can be pulled apart by their scientists. Newt Gingrich, who is not a comedian, despite what I wrote earlier, thinks you should apologize for a joke told by Robert De Niro, who is also not a comedian. Dick Cheney thinks you should apologize to the George W. Bush administration (and hence to him) for running an administration that is not sufficiently dissimilar to theirs. Other people think you should apologize to Pakistan, or to Mexico’s President, or to half of America or to the whole of America. Going further, I typed ‘Obama should apologize’ into Google, and it came back with 969,000 hits. If we allow a modest fifteen seconds of contrition for each web instruction to be sorry, you should spend the next 168 days engaging in continuous apology. If you also wanted to sleep from time to time, the serial apologies would take up the remainder of your term in office, at which point you should finally bow out with an apology for wasting so much time apologizing, when you should have been getting on with the job of being President.

I hope you see that my plea is not the usual incoherent rhetoric typically employed by people I disagree with. In fact, we can all agree that my point of view is as well expressed as all the points made by all the people who agree with my point of view, except for those rare occasions when some of them fail to live up to our collective high standards by sliding down to the gutter standards of the bitter minority who disagree with us. However, it has to be reiterated that sliding down to the low standards of opponents is not much of a sin, as, by definition, our opponents are demons who rely on low standards to rationalize their nonsensical views, whilst people on our side are insightful saints who very rarely slip from their heavenly perches. Indeed, when people on our side behave badly, it can only be because our opponents behave so very badly all of the time.

With my goals now reiterated so clearly that arguing against me could only serve as proof of my interlocutor’s insincerity, let me remind you of two important passages from Bristol’s letter. First, she explains how she is waiting to hear about your commitment to improve the quality of public discourse:

“I’m a little surprised my phone hasn’t rung.”

And later, towards the end of her letter:

“I’m not even really expecting a call.”

Never have two truer and more mutually consistent things ever been written in a letter-cum-blog, especially as Bristol’s message was meant to chastise you for inconsistency and for engaging in political grandstanding. When I saw her words, I instantly appreciated the hidden subtext of Bristol’s plea: she wants more sincerity in public and political discourse, and she hopes you will lead the way, but she fears you will not. We can empathize with Bristol. Her mom is always working hard, being sincere, on the Fox network. For all her efforts to raise the standard of political rhetoric, Sarah Palin receives little reward beyond millions of dollars in pay and a continuing hope that she will be selected as the GOP’s presidential nominee without needing to engage in the dirty and corrupt process of actually campaigning for it. Sarah Palin’s tireless efforts need to be bolstered by you. You can do more than anyone else to increase sincerity in politics, and if you succeed, people might even stop asking you to apologize for things you did not do. It is with this hope in mind, the hope that we can strive to be more sincere than we have ever been before, that I must now apologize for this letter, even though it is not a letter, but actually a blog post. I sincerely apologize for any insincerity, whether real or imagined, in this letter, and I apologize not just on behalf of myself, but also on behalf of the whole human race that is currently living anywhere on earth (and also the moon too, just in case Newt has already landed), and on behalf of anyone who has ever lived in the past, and on behalf of anyone who will ever live in future. And I apologize not just to you, but to the aforementioned human race of the past, present and future. And with that sincere and universal apology, let us strive to bring an end to all insincere demands for unnecessary apologies. If you will lead, I pledge to support you, as we embark upon a brave new world where politicians are always sincere, and comedians are funny without ever making fun of anyone.

Yours faithfully (though it would be sincerely, if we had ever met),

Eric Priezkalns

Preston Dirges Takes Valerie Into Space

Int. Deserted Office Floor – Day

Preston opens a door and leads Valerie on to the first floor of the building. It is seemingly deserted. There is no office furniture, only indents in the carpet where the furniture used to be. The only other evidence of former use are the glass-fronted meeting cubicles lining the wall on one side. Preston walks ahead but Valerie stops, concerned about where Preston is taking her and angry at how she has been treated. Preston, noticing that Valerie is not following, stops also, and turns back to face her. He stands in silence, looking at her. Behind him, a tumbleweed rolls by.

VALERIE: (peeved) I thought we were going to your desk.

PRESTON: We are. It’s just round the corner.

VALERIE: But where’s everyone else?

PRESTON: They’re on the other floors.

VALERIE: Why isn’t anyone on this floor?

PRESTON: I’m impressed by you asking that. They moved the people who were on this floor, apart from me.

VALERIE: Impressed by what? Why did they move them from this floor?

PRESTON: Impressed that you know the ‘five whys’; I wouldn’t expect a new graduate to know that technique. So they could rent out this floor to another company.

VALERIE: What’s the ‘five whys’? And why didn’t they move you too?

PRESTON: It’s a technique where you keep asking why, why, why, over and over, until you get to the real root of a problem. They didn’t move me because they forgot they employed me, and when they finally remembered, there wasn’t any space left to put me on any other floor.

VALERIE: I’ve never heard of the ‘five whys’, but I guess it makes sense. Why is it five and not six or seven? And why didn’t they move some of the people back?

PRESTON: Don’t get hung up on the number of whys – the point is to keep asking until you can’t ask any more. Management didn’t want to appear foolish and didn’t have any budget left to pay the company that moved people’s desks first time. Or maybe they’re going to fire me soon.

VALERIE: I’m not just a graduate.

PRESTON: I didn’t say you are just a graduate. I just said that you are a new graduate. Although I’ll admit that you look a bit old to be a new graduate.

VALERIE: I took time out to travel. Before and after. And during. And what kind of management technique is no different to an insistent 8 year old?

PRESTON: Insistent 8 year olds have all the characteristics needed to be a Board member. Except for friends in high places.

Valerie laughs. It releases some of her tension.

VALERIE: So you have this whole floor to yourself?

PRESTON: Not any more.

Preston Dirges: Gordon and Tina

Deep in the basement of Preston Dirges’ office lurks the Business Intelligence team, two people who can afford to spend the day talking to each other, because nobody else talks to them…

Int. Windowless Basement Office

Gordon and Tina sit at their PCs in a dingy windowless office originally designed for just one person. Their desks face each other. A sign on the open door reads: “Business Intelligence”. Gordon punches the air in delight.

GORDON: I’ve done it!

TINA: Done what?

GORDON: Let me show you.

Tina walks around to Gordon’s desk.

GORDON: I emailed it to you.

TINA: Oh.

Tina walks back to her desk. She impatiently taps on her keyboard, waiting for her email to update. Gordon walks around to Tina’s desk and looks over her shoulder.

TINA: I’ve got it. (beat) There’s no attachment.

GORDON: Sorry.

Gordon walks back to his desk.

GORDON: Okay.

They both get up from their seat at the same time, but both stop mid-movement, conscious that the other has also moved.

TINA: Okay – as in: you want me to come round now?

GORDON: Okay – as in: I sent it again.

They pause a moment, locked in their respective poses.

TINA: Why don’t I just come round to you?

GORDON: Okay.

Tina walks around behind Gordon and casually places one hand on his shoulder.

GORDON: Check this out.

Gordon presses a button. A spreadsheet, full of numbers, fills his screen.

TINA: (sarcastic) It’s a spreadsheet.

GORDON: The spreadsheet. The one that’s going to get me promoted to marketing.

Tina leans across Gordon and starts hitting cursor keys on the keyboard.

TINA: I can’t make sense of this. What does it tell me?

GORDON: We make cables, right? So what do customers most want in a cable?

TINA: They wants lots of things. They want good audio-video reproduction, they want them to be cheap, they want good them to be reliable.

GORDON: No. They want them to be the right length. So I analysed all the data I could get about where people put their TVs and computers and stereos, and analysed what would be the most popular lengths for cables.

TINA: (bored) Great.

GORDON: You haven’t heard the good part yet. The lengths of our cables are a good match for the most popular lengths.

TINA: Good. How does that get you a promotion?

GORDON: Think about it. If we’re making cables that are the right length, then we’re not making as much money as we should.

TINA: Sorry?

GORDON: We charge more for longer cables. And we charge even more for extensions to cables. So we want our cables to be too long or too short. Then we’ll make more by selling long cables, and we’ll sell more extensions when people buy cables that are too short.

TINA: That’s insane Gordon. What about the cost of people returning cables because they can’t use them?

GORDON: It’s factored into my spreadsheet – see this. But look here – the analysis shows that, even after costs, the company could boost profits by 8%, just by changing the lengths of the cables we make.

TINA: Good for you, Gordon. How are you going to get anyone to see this?

Gordon is discouraged. He shrugs his shoulders and does not answer. With her hand on his shoulder, Tina gives Gordon a comforting squeeze.

TINA: Did you have a good weekend?

GORDON: Yes. That reminds me of something I have to show you.

Gordon goes to his coat, which is hanging from the handle of a storage cupboard. He pulls out an envelope from a coat pocket, and hands it to Tina.

TINA: What’s this?

Tina opens the envelope, and pulls out a hand-made card whilst Gordon looks on, smiling. Tina looks at the front of the card.

TINA: It’s a Valentine’s card. You made it yourself? (smiles) This is a really lovely surprise…

Tina opens the card. Inside the card reads “to Stella”.

TINA: for your girlfriend. It’ll be a lovely surprise for her.

Gordon is oblivious to the stumble in Tina’s reaction.

GORDON: Do you think so? Great. I wanted to know what you thought before I posted it. I spent the weekend making it, but I didn’t want to show it to the guys round the apartment.

TINA: No, it’s a really good job. Making something yourself is so much more… (pause) thoughtful. She’ll love it.

Tina hands the card back and walks back to her desk.

GORDON: I’ll have to post it this lunchtime, or it won’t arrive in time.

TINA: Do you miss her, Gordon? It must be hard, with you being here and her still being in South Africa.

GORDON: There’s Skype, although the connection is terrible her end. And we email a lot, though she’s not emailed me for a week. She didn’t like the e-card I sent her for her birthday, so I need to make more effort this time.

TINA: Good.

The conversation ends, and both start typing on their keyboards.

GORDON: I’m sorry. I’m being insensitive. I should have asked about your boyfriend, Alan.

TINA: Alvin. We split up three months ago.

GORDON: That’s right. Sorry. So you don’t have any plans for Valentine’s Day then?

TINA: Yeah, yeah, I have plans. (pause) I’ve got a hot date.

GORDON: Cool. What’s he called?

Tina’s eyes dart around the room desperately, trying to find inspiration. Gordon never takes his eyes from his computer screen, and keeps typing at his keyboard without interruption. Tina looks at her desk tidy, and the pens standing in it.

TINA: Penn.

GORDON: Penn? You don’t hear that name often. Is he from round here?

TINA: No, he’s not. He’s from…

Tina looks around again, panicked. There’s a Pepsi can on her desk.

TINA: Can. A-da. Canada.

GORDON: Oh. Je suppose que son nom est français d’origine. N’est-ce pas?

TINA: (baffled) Yeah.

Tina tries to think of something else to say, but cannot.

TINA: Yeah.

GORDON: So where did you meet him?

Tina notices the holepunch on her desk.

TINA: Punch… ing. Punching. Boxing. I met him at my boxercise class.

GORDON: You didn’t say you started doing boxercise. When did you start?

TINA: It was a new year’s resolution.

GORDON: Get fit? Good for you. So where’s Penn taking you this weekend?

There is a stapler on Tina’s desk.

TINA: Staples.

GORDON: Staples?

TINA: Sta-bles. Horse stables. Horse riding. We’re going horse riding at the horse stables.

GORDON: Wow, you’re suddenly turning sporty. I thought you’d want to spend Valentine’s chilling out, enjoying food, wine and chocolate.

TINA: Well, yeah. But that’s why I’m being sporty, so I can enjoy more of the good things without them going to my hips.

Gordon is still completely focused on his computer screen, typing as he talks.

GORDON: You don’t need to worry about that. You’ve got a great figure.

Tina sits up in her chair. She half-smiles.

GORDON: Most men prefer women with a bit of meat on them.

Tina stops smiling, unsure how to respond.

TINA: Thanks, Gordon. (pause) It’s nearly lunch. Are you posting your card before, or after?

GORDON: Are you hungry? Let me just check my email first.

TINA: No, I’m not hungry. I was just wondering when you wanted to eat.

Gordon does not answer. His eyes are locked on his screen.

TINA: Gordon?

GORDON: (sad) I won’t need to post my card after all.

Tina walks around to Gordon’s desk.

TINA: What’s happened?

GORDON: Stella’s dumped me.

TINA: By email?

GORDON: She couldn’t get a good connection on Skype. (pause) Do you want to read what she wrote?

TINA: Read it? No. (pause) No, I don’t want to. (pause) Go on then.

Gordon rolls his chair to one side, making it easier for Tina to lean towards the screen.

TINA: (reading aloud) Dear Gordon, I think you can sense we’ve grown distant this last year, especially as you’re ten thousand miles away in England.

GORDON: Actually it’s six thousand miles, or ten thousand kilometres.

TINA: (reading aloud) I think it is time we both moved on with our lives, and I’m sure it won’t be long before you find someone close to you in England. (beat) I have a new love in my life. He’s called Koos (pronounced ‘coups’)…

GORDON: Koos (pronounced ‘kwis’)

TINA: (reading aloud) Koos van der Merwe

GORDON: Sounds like a made-up name.

TINA: (reading aloud) and I think he may be my soulmate. It would be wrong to see him without breaking off with you first, although I’ve seen him a few times already, if I’m honest. I know you’ll understand and we’ll be friends forever. Love, Stella.

Gordon gets up and puts the Valentine’s card back into his coat pocket.

TINA: I’m sorry Gordon.

GORDON: Don’t worry about it. Like she says, I’m going to go out and find somebody new. Plenty more fish in the sea. It’s just a shame you’re taken, or I’d ask you out this weekend.

TINA: (shocked) Would you?

GORDON: Sure. If the two of us worked as a team, we’d both find someone in no time. I’d find a bloke for you and you’d find a girl for me. But now you’ve got a new boyfriend, so that’s out.

TINA: That’s right.

GORDON: Come on, let’s eat. I’m hungry. And you don’t need to diet, now that you’re doing all that exercise.

Gordon affectionately punches Tina on the arm.

TINA: Ow! Gordon!

GORDON: Sorry.

Preston Dirges Doubles His Empire

Int. Open-Plan Office – Day

Preston knocks on the door of David Rubnick’s office, then opens it without waiting to be asked. Rubnick is staring out of the window, drinking his mug of coffee.

RUBNICK: Preston! Why don’t you just barge in?

PRESTON: Good suggestion. But too late – I already have. I brought you something urgent.

He gestures towards Valerie, who follows him in.

RUBNICK: Hello Valerie. It’s good to see you again.

Rubnick walks around to warmly shake Valerie’s hand.

RUBNICK: I was worried that you were delayed – held up in traffic or some such.

VALERIE: No, no, I arrived on time.

RUBNICK: Yes. (pause) Well, you’re here now. And you’ve already met Preston. Preston’s getting ahead of himself, aren’t you?

Preston looks blankly at Rubnick, not comprehending his meaning.

RUBNICK: I’m afraid, Valerie, that our Marketing Manager for the Western Region, Tyler, has had some marital difficulties and won’t be in the office until… well, we don’t know when. There are no other openings in Marketing, so we’re going to place you with a mentor in another department. Preston’s department, in fact.

PRESTON: (shocked) What? I’m the only person in my department.

RUBNICK: Not any more.

VALERIE: (confused) Excuse me?

RUBNICK: Sorry Valerie. I know you had your heart set on marketing.

VALERIE: I did my degree in marketing.

RUBNICK: Exactly. But we all believe our the graduate developees need to be flexible, and should learn how the rest of the business works too. Then you’ll know how to market us through and through. Preston can certainly help you with that.

PRESTON: This is the first I’ve heard about this.

RUBNICK: Didn’t you read the email? I sent it Sunday morning.

PRESTON: That would explain why I didn’t read it.

RUBNICK: Don’t tell me you don’t have a company Blackberry?

PRESTON: Alright, I won’t tell you.

RUBNICK: We shall have to get you one. Just drop the forms by Linda and she’ll order you one. Now I’m sorry, but I’ll have to dash. There’s a board meeting, so I’ll have to let Preston handle your induction. I did set some time aside to handle it myself, but you did arrive late…

Valerie wants to protest, but Rubnick has ushered Valerie and Preston out of the room and walked briskly away. Valerie and Preston are left standing, bemused.

RUBNICK: (shouting back to Preston) And Preston, make sure Valerie gets a Blackberry too.

PRESTON: (to Valerie) Do you want a Blackberry?

VALERIE: Yes, I would.

PRESTON: Trust me, you don’t.

Preston turns back and walks the opposite way from Rubnick, back towards the stairs. Valerie, left with no other choice, hesitates, then follows Preston.

Preston Dirges and New Beginnings

Int. Bedroom – Morning

An alarm clock buzzes. It is 7am.

PRESTON (V.O.): 1. Alarm clock. Wake. Set it back 5 minutes. Sleep 5 minutes. Wake. Set it back 5 minutes. Sleep 5 minutes. Get out of bed urgently.

Int. Bathroom – Morning

A figure, Valerie, is showering behind a curtain. There is the sound of an electric toothbrush.

PRESTON (V.O.): 2. Brush teeth whilst showering and washing hair. 5 minutes max. If you shower longer, then you use more water than a bath. Use a gentle shampoo. That way you can wash your hair every day. Don’t waste time with conditioner. Piss for sure, poo only if necessary. Shave if you’re a man, though beards are quicker. Some people have an irrational dislike of beards.

Int. Bedroom – Morning

Valerie is glimpsed opening a wardrobe door and standing behind it, tossing clothes from it to her bed.

PRESTON (V.O.): 3. Dress. Quickly. Don’t choose what to wear, just take the next item on the rail – it’ll be fine. Briefly check your appearance in the mirror, using fingers to fix hair. Regret that your shoes need polishing, but there’s never time for that.

Int. Kitchen – Morning

A toaster stands idle. Valerie is glimpsed walking past the kitchen doorway.

PRESTON (V.O.): 4. There’s never time for breakfast, either.

Montage

Jumble of images: commuters boarding trains, driving cars, waiting at tube platforms, people walking and crossing roads, people standing on buses, red traffic lights, ticket barriers.

PRESTON (V.O.): 5. Your journey to work is the most important part of the day. Know at least three alternative routes, in case of disaster, repair, weather or strikes. On the way, read a paper or listen to the news on the radio; even small pieces of information can lend authority. Avoid being late if at all possible.

Ext. Office building – Morning

Valerie walks towards the main doors of an office building.

PRESTON (V.O.): The time you arrive is one of the very few things your bosses can systematically measure.

Valerie looks up at the building and hesitates, letting others enter ahead of her. Then she enters too.

Int. Office Building – Morning

A middle-aged man, Preston, has turned from his desk towards the window. He looks down at the people arriving at work. He holds a coffee mug in his hand, and takes a noisy sip. He drinks like that because the coffee is too hot to drink otherwise. The mug has a business logo on it; it was a gift from a supplier.

PRESTON: 6. The rest of your working day will be unimportant. So relax.

A voice talks to Preston but we do not see the source.

DISEASED MIND: You don’t seem very relaxed.

Preston replies without turning away from the window.

PRESTON: You’re right.

He takes another noisy sip from his mug.

DISEASED MIND: Rules 1 to 3 are good. Rule 4 is superfluous. Rule 5 is too general. And rule 6 is a suggestion, not a rule. If it was a rule, you’d always be breaking it.

PRESTON: I’ll rewrite them later today.

Preston turns away from the window, towards his desk.

PRESTON:
So tell me, what’s on my mind this morning?

The camera tracks back to reveal what Preston is talking to. On his desk there is a grey human brain, slightly smaller than average, immersed in a spherical goldfish bowl.

DISEASED MIND: Proposition 1…

PRESTON: Nothing ever changes.

DISEASED MIND: and Proposition 2.

PRESTON: Nothing we do ever makes the slightest bit of difference. In other words, the same as usual?

DISEASED MIND:
No. They’re going to be tested today.

A fire alarm blares out unexpectedly.

Int. Office Reception – Morning

Valerie is standing in front of the reception desk. A young male security guard sits behind it. She is startled by the alarm. People stream past, joining the queue to swipe their pass and go through the full-height security gates.

GUARD: (shouting over the alarm) Don’t worry, it’s just a test.

The alarm stops on the word ‘test’.

GUARD: (still shouting) See? (lowers voice to normal) See? They test the alarm every week, at random times.

VALERIE: How will anyone know when there’s a real fire?

GUARD: (pauses, thinking) The alarm will go on for longer. (beat) Can I help?

Valerie relaxes a little and places her hand on the reception counter.

VALERIE: My name is Valerie Valencourt. I’m here to see David Rubnick.

GUARD: Is it your first day?

VALERIE: Yes, yes it is.

The guard looks over a list attached to a clipboard on his desk. He runs his finger very slowly down the list. He turns over the pages methodically, and slowly. He does this for three full pages, by which time he has gone through the whole list. He shakes his head.

GUARD: No, you’re not on the correct list. Let me see if you’re on the wrong list.

The guard pulls out a second clipboard and checklist, runs through it, as before. Valerie tries not to appear impatient.

GUARD: I’m sorry, you’re not on that list either.

The guard sits looking at Valerie, with an air of finality. Valerie pauses for a while, expecting the guard to continue, and then realizes he is not going to.

VALERIE: But I am here.

Valerie smiles and looks at the guard. He does not know what she wants. She smiles and rapidly directs her eyes from the guard, to his phone, back to the guard, and back to the phone.

VALERIE: Could you call him?

GUARD: Who?

VALERIE: David Rubnick.

GUARD: Well, I would, but you’re not on my list. And that means his number isn’t on my list either. On either of them.

He holds up the first clipboard and list to show Valerie, as if to prove his point.

GUARD: You should call him instead.

Valerie rummages around her handbag and pulls out her phone and some A4 sheets of paper where she has printed out emails. She checks her phone and turns over the pages. She fumbles through them, subtly revealing her nervousness. An older man, Thimbleby, interrupts by walking up to the counter and addressing the guard directly.

THIMBLEBY: Don Thumbleby for Preston Dirges.

Valerie stands to one side to make more room for Thimbleby, who crowded her. Though she has not found the number for David Rubnick, she bites her lip and waits patiently for the guard to finish with Thimbleby. Thimbleby fills out the visitor’s log whilst the guard checks his list and calls Preston. Valerie’s phone starts to ring as she holds it.

VALERIE: Hello?

RUBNICK (O.S.): Is that Valerie? It’s Dave Rubnick here. Are you on your way?

VALERIE: I’m at reception right now…

Rubnick interrupts her mid-sentence. Meanwhile, the guard hands visitor passes to both Valerie and Thimbleby.

RUBNICK (O.S.): Great. I’m in my office, waiting for you. Fifth floor. Come straight up.

The line goes dead. In the background, Preston arrives at the far side of the security gates.

VALERIE: Can I just go up? That was Mr. Rubnick on the phone. I’m late.

Valerie turns and briskly walks to the security gate, unsuccessfully swiping the visitor’s pass that she has just been given.

GUARD: Miss! I can’t just let you go through. Mr. Rubnick needs to come down to collect you.

Valerie turns back to the guard, flustered. Behind the gate, Preston raises a hand in the guard’s direction, attracting his attention. Thimbleby steps in front of Valerie, and the guard presses a button to open the gate for Thimbleby. It closes in Valerie’s face as she attempts to push through behind Thimbleby. Preston steps up to the other side of the see-through plastic gate, and talks to Valerie. The gate is closed between them, but their faces are unusually close together.

PRESTON: (to Valerie) Are you having some difficulties?

GUARD: Miss!

PRESTON: (to the guard) It’s okay, let me deal with it.

VALERIE: It’s my first day, and I’m late. I need to see David Rubnick in HR.

PRESTON:
Dave Rubberduck?

VALERIE: David Rubnick.

PRESTON: That’s what I said.

VALERIE: No, you said…

Valerie stops, realizing she does not want to continue her sentence.

PRESTON: (to the guard) Don’t worry, I’ll take her up.

GUARD: I can’t let her through.

PRESTON: Why not?

GUARD: She didn’t ask for you.

PRESTON:
(whispering to Valerie) You could ask for me now.

VALERIE: (whispering to Preston) Good idea.

Valerie turns to the guard, and opens her mouth to speak. She stops herself and turns back to Preston.

VALERIE: (whispering to Preston) What’s your name?

PRESTON: (whispering to Valerie) It’s…

THIMBLEBY: (impatient) Preston?

VALERIE: (whispered) Preston! (to guard) I’m here to see Mr. Preston, please.

Preston waves a hand towards Thimbleby, dismissively, indicating he should be patient. Meanwhile, with his other hand, Preston is giving a thumbs up to the guard.

GUARD: Well I don’t know. (pause) What’s his surname?

VALERIE: Preston.

GUARD: Wrong.

PRESTON: (to guard) Have you checked to see if my name is on the list?

The guard picks up his clipboard and list, and starts to run his finger through it, again.

Whilst continuing to look toward the guard, Preston pulls out his swipe card, and pokes it through the gap in the security gate. The guard’s view of this is obscured by Valerie. Valerie hesitates to take Preston’s card at first. Preston shakes his card at her, whilst still looking at the guard.

PRESTON:
(whispering to Valerie, without moving his lips) Come on then.

GUARD: No, you’re not on this list.

The guard holds up his list, and taps on it, as if to show Preston, even though they are standing far too far apart for Preston to be able to actually see what is written on it.

PRESTON:
Why don’t you look at the other one?

GUARD: I was just about to do that.

Valerie grabs Preston’s access card, swipes it, and hurries through the gate. The guard steps around as if to chase her, but stops as they disappear up the fire stairs. The guard sits back down at his counter, muttering to himself and shaking his head.

Int. Fire Escape Stairwell

Preston is marching up the stairs, taking them two at a time and counting them as he does. Thimbleby and Valerie follow behind.

PRESTON: Four, six…

VALERIE: Thank you.

PRESTON:
…eight. Don’t mention it. Ten.

Thimbleby tries to keep pace with Preston but cannot. Valerie, in her heeled shoes, is even further behind. She makes noisy progress. Preston reaches the first floor landing and waits. Thimbleby joins Preston on the landing, and eyes him curiously, but Preston pretends not to notice. Preston talks to Valerie instead.

PRESTON: Come on, I thought you said you were late.

VALERIE: I wasn’t late. I arrived on time. It was the guard that made me late.

PRESTON: It’s not good to be late, for whatever reason. People don’t like to wait. I know I hate waiting.

Valerie arrives at the landing, a little out of breath. Preston is holding out his hand, with the palm upwards. She takes it, thinking Preston means to help her with the final step. Preston shakes Valerie’s hand, in a parody of a handshake, but with his palm still facing upward. She lets go, but he still holds his hand out.

PRESTON: My pass?

VALERIE: Oh, yes. Here you are.

She hands Preston his pass. He swipes to open the fire escape door, and holds it open for Thimbleby. As Thimbleby walks through, Preston shuts the door behind Thimbleby and shouts at him through it.

PRESTON: I just need to take this young lady up to the fifth floor. You don’t mind waiting, do you?

It is obvious from Thimbleby’s expression that he does mind. Preston acts like he’s oblivious to Thimbleby’s reaction, turning and marching up the next flight stairs, once again counting as he does. He goes a little more slowly this time, so it is easier, but still difficult, for Valerie to keep pace.

VALERIE: I thought you said it was rude to keep people waiting?

PRESTON:
Sixteen. It is. Eighteen.

VALERIE: Then what about him?

PRESTON: Him? Twenty. Thimbleby? Twenty-two. He’s not people. Twenty-four. He’s an auditor.

VALERIE: That’s not a very nice thing to say. What’s your job, that you should be so unkind to an auditor?

PRESTON: Thirty. My job? Thirty-two. I’m an auditor, I suppose. Thirty-four.

VALERIE: Then what makes you better than him?

PRESTON:
Thirty-eight. Well, because he audits me – forty – and doesn’t know what he’s doing. And because – forty-two – I do know what I’m doing. That’s two reasons why – Forty-four – I’m better than him. Forty-six. But don’t worry – forty-eight – I’ll make it up to him. Fifty. He’s going to find plenty of things wrong – fifty-two – with my work – fifty-four – and that’ll make us both very happy. Fifty-six.

VALERIE: (breathless) Why would that make you happy?

PRESTON:
Fifty-eight. Because he’ll find all the things – sixty – I want him to find – sixty-two – and that means – sixty-four – he’ll be so busy and so satisfied – sixty-six – that he won’t find any of the things – sixty-eight – that I don’t want him to find. Seventy!

Preston reaches a landing and momentarily turns back to face Valerie.

PRESTON: So we’ll both go home happy. He’ll feel like he made a difference, whilst I ensured he didn’t make me any trouble that I didn’t want him to make for me.

Valerie joins Preston on the landing. She tries to suppress the urge to pant.

VALERIE: Can’t we take the lift?

Preston stops and looks around momentarily, then thinks.

PRESTON: No, we can’t. First, taking the stairs is actually faster than waiting for the lift. Second, walking upstairs helps you stay fit. Third, it’s a better use of time than staying fit by going down the gym after work. And fourth, we’ve already arrived at the fifth floor.

Preston swipes his card and opens the door for Valerie.